Title : Phrack Prophile on Swamp Ratte
Author : Phrack Staff
---[ Phrack Magazine Volume 7, Issue 51 September 01, 1997, article 04 of 17
-------------------------[ P H R A C K 5 1 P R O P H I L E
--------[ Grandmaster Ratte'
----------------[ Personal
Handle: Grandmaster "Swamp" Ratte'
Call him: Kevin
Past handles: KP Neato Dee (local BBSes)
Handle origin: from playing around (and falling in) a swamp all the time
as a kid
Date of Birth: April, 1970
Height: 6'
Weight: 155 lbs.
Eye color: blue
Hair Color: brown
Computers: Apple ][ (plus/e/c/gs), PC (8088 laptop/'286),
Amiga (500/600), Macintosh (Plus/7200)
Admin of: Demon Roach Underground BBS, The Polka AE from Sept.
'85-present
Sites Frequented: Not much really. Mindvox can be pretty cool and
interesting. I used to regularly call boards like The
Works, Digital Logic's Data Service, the various
Metallands, Speed Demon Elite, P-80, Kingdom of Shit,
Ripco, The Metal AE, Dark Side of the Moon, The Missing
Link, etc.
URLs: www.l0pht.com/cdc.html, and the new www.cultdeadcow.com
Email: [email protected]
----------------[ Favorite Things
Women: that aren't crazy, freshly-scrubbed
Cars: ones that run, muscle cars with lots of chrome
Bikes: BMX 24" cruisers, Schwinn Stingrays with metal-flake paint
Foods: cheap. Sunkist Orange Slurpees.
Music: 1970's funk and soul, rock, hip-hop, hillbilly country,
reggae, dance...
Bands: Run-DMC, Beatles, KISS, Marvin Gaye, Suicidal Tendencies,
Black Uhuru, Public Enemy, Stevie Wonder, Rolling Stones.
Zapp, Parliament/Funkadelic, Grandmaster Flash & The
Furious Five, Dead Kennedies, Black Sabbath, Carpenters,
James Brown, Metallica, Sly & The Family Stone, Lynyrd
Skynyrd, Jimi Hendrix, Slayer, Minor Threat
Instruments: Fender guitars and basses, Kurzweil K2000 series synths
Computers: Apple ][s and Macintoshes
Movies: Star Wars, The Manchurian Candidate, Krush Groove,
Apocalypse Now
Comics: Peanuts, Calvin & Hobbes, Bloom County
Sports: Ultimate Frisbee, bicycling, wandering around outside,
climbing trees and rocks, boating with inflatable life
rafts in drainage lakes, club dancing
Books: _Foucault's Pendulum_ by Umberto Eco, The Bible, Farrah
Fawcett's biography, and _Understanding Media_ by Marshall
McLuhan
Magazines: Tons... 2600, Grand Royal, Wired, Macworld, Barely Legal,
Thrasher, Big Brother, Ride BMX, Urb, Guitar Player,
Keyboard, Cool Beans, Might, Stress, Slap, Crank, 4080,
Cometbus, EQ, and whatever else I can get my grubby hands
on. I really dig magazines. Uh, and Phrack!
TV: The Six Million Dollar Man, The Simpsons, Charlie's Angels,
X-Files, A-Team, Mod Squad
My Bands: Superior Products (bass), Weasel-MX (vox, programming),
Jinx Unit (bass, phat beatz)
Quotes: "Fully equipped with an army of lawyers." -ad for Zoo York
skateboards
People: Evel Knievel, Boba Fett, Mr. T, and the CULT OF THE DEAD
COW Multimedia Superstarz!
Misc: thrift stores, huge shiny belt buckles, phresh new laces
in my kicks, playing shows with my band(s), exploring
buildings, big trees and rocks
Turn Ons: energy
Turn Offs: pretentiousness
----------------[ Passions
If you can't tell from the list up there, I'm really into music. It all
started when the neighborhood teenagers would let me sit around with them and
listen to the hard-rockin' soundz of KISS and Led Zep when I was a little kid.
So my mom (bless her heart) under their advisement, bought me Led Zeppelin
_IV_ and KISS _Alive!_ which I took to kindergarden class and was reprimanded
for. A few years later my grade school friends and I would spend hours
sitting around a cassette player making "radio shows" with our Saturday Night
Fever soundtrack and various 7" singles from K-Mart. We were rollin' with the
phattest mixtapes at age nine, fool! Somehow this led to MIDI and drum
machines and CD burners and now I spend tons of time recording and sequencing
and playing music. I do a lot of recording for the local punk and hip-hop
groups and it's hella fun. The back of the building I live in is a small
empty warehouse where we have all-ages music shows and that's pretty neat too.
It's called MOTOR... If you're in a touring band, lemme know and send me a
tape or whatever you've got.
----------------[ Memorable experiences
Hmm. Well, this is probably my best story, so here we go: I found myself
all alone at night inside a telco's switching station. Ooh, look... a terminal
keyboard. In the dim glow of the red "EXIT" signs, that keyboard represented
all my hopes for a glorious unification of the human spirit through the global
telecommunications network. How could I best express my ...love... for this
network and all that it represents? Write a poem? Done it already, hundreds
of times. Every cDc file I've put out is a gesture of affection. So I did
what any red-blooded American male wouid do. I dropped my pants, "threw
jacks" as it were, and doused that human-machine interface unit with my
Seekrut Sauce.
Then I cleaned myself and got the hell out of there... pulse pounding,
freaked by my own insatiable lust. Is what I did "WRONG"? Don't judge me
with your pithy concepts of morality! I stood before God with my pants around
my ankles and expressed what was in my heart. If that's wrong, damn... I
don't want to be right!
---
Playing a party where a gang fight broke out, caps were busted during our
set, and we had to drop our instruments to flee for our livez (and hide under
cars).
---
Falling in love. Getting dumped. Lather, rinse, repeat.
---
Going to the various hacker cons is always a blast. Some people have a
negative attitude about these things 'cause a lot of kids go and act retarded.
Which is unfortunate, but I always manage to have a great time. These are the
only times I get to visit with cDc people and it's like a big bonding
session... we just run around and hang out. Meet lots of cool people in
general, every time. So go to the cons and don't cause problems, and
everything'll be fine.
---
Starting cDc communications. In some ways this has been an important item
in my life. Not that editing text files is a huge important thing, 'cause it's
not. But cDc, at its best, has taught me that I can have a role in making
something creative and interesting and lasting. Things like that can carry
over into a lot of aspects in your life. In 1984 I was a junior high student
and now I'm 27 years old. cDc has changed a lot of course, as it should, but
I think with our longevity we've worked towards finding a new way to relate to
technology and the emerging global structure. I was fourteen and part of the
wave of hacker kids who had been growing up with Atari 2600s at home and the
video arcade after school... we saw the movie Wargames and got excited. I was
lucky and had an Apple ][ at home, and soon a modem my dad brought home from
work. You figured out some Stupid Phone Tricks and bam, in no time you were
typing away to other kids on BBSes across the country, sharing.... codez and
warez, sure, but more importantly we shared experiences. This was NEW.
I remember how exciting it was to call teenager-run boards across the country
in the early '80s and exchange messages with these people. Now kids can grow
up from the get-go with the Internet in their house and I think that's just
great. So my friends and I were writing things and doing goofy drawings and
whatnot, and could have put out a regular paper 'zine. But we figured out
pretty early on that the one big advantage these text files we wrote had over
some photocopied sheets we could staple together was distribution. If we'd
done a paper 'zine, we could have maybe scraped up enough cash for 50 copies
or so and forced some friends to take them and then they'd end up at the
bottom of a closet or in the trash in a few weeks, forgotten. But instead, we
used those Stupid Phone Tricks hundreds of times... staying up all night, with
school looming ahead in a few hours. But hey, gotta call that AE in New
Jersey and upload the latest text files. You can always sleep through class.
But what makes CULT OF THE DEAD COW different and has enabled us to last
is that cDc has never been about technology... we didn't form to trade "inpho"
and hack together like the other groups. We used technology, be it hand -
hacked MCI codes or the Internet to get our "messages" out there. Hacking is
a means to an end. I don't give a rat's ass about hacking or any of that crap
on its own. I just want to make cool stuff. Now we're starting a "paramedia"
concept which means the end of cDc as a "hacker group that puts out text
files." Now we're putting out our own original music and other audio files,
to be distributed just like our text stuff has traditionally been. The
bandwidth is finally here where we can do it... and when it's practical, we'll
be putting out video stuff too. The idea is to be able to do whatever sort of
creative work we want and to use our huge distribution network to disseminate
it. That's what "cDc paramedia" and the future of our whole group is about.
Somebody who was making his college schedule wrote me email the other day,
and asked "What classes should I take? I wanna be a hacker." I told him he'd
be better off with some history and business courses. Please understand, I
don't mean to diss on hacking. I'm all for having all the knowledge you can
and exploring things, whatever they may be. But I've met a lot of bitter old
"gadget freaks" in this scene, and that's something you want to stay away from.
That mentality will crush the life out of you under the weight of a
thousand bits of trivia. Go outside, there's a world there already. It's a
zillion times more exciting and vibrant that what you can build staring into a
monitor's dim glare. Hour after hour, year after year. As your eyesight
fails you and your head draws nearer the image, your shoulders slump. You
become weak. You are less.
----------------[ People to mention
The Egyptian Lover: The whole 806 NPA's only real phreak who ran a great
BBS, The Missing Link, in 1984. I've only seen him a couple of times in
person, but have to give him mad props for helping Franken Gibe and myself
get situated with the phreak knowledge. His board attracted guys from The
Apple Mafia and The Untouchables (the first warez groups ever), and The
Knights of Shadow. Though I'd been getting warez since 1982, The Missing
Link was our first contact with the real "elite" h/p scene, and it both
fascinated and repulsed us.
Franken Gibe: Bill helped start and really define cDc back in the day.
He's a really cool guy. I've known him for over ten years. What can I say?
We're still, to this day, working on things; though he hasn't been active in
cDc since '89 or so. Now we're trying to start an advertising agency.
Tippy Turtle: Jason gave me my first local BBS number. I pushed him to
finish "Bunny Lust", which is one of our most popular articles ever. There
have been court cases inspired by that file, and he wrote it when he was
fourteen. He came back to town last Christmas and I showed him the cDc web
site. His comment? "That's totally evil. I can't believe how evil this is."
Mohawk Dave: Christoph is another one of my oldest friends who never
fails to diss cDc. He's a mega-talented AI/robotics guy, and a rad
guitarist and BMX freestyle rider too. Our group of friends spent countless
hours cruising the neighborhoods of our hometown on bikes, talking, setting
fires, breaking & entering, and having a good ol' time.
Ex-girlfriends: Blech.
All the other cDc people. Dang, there've been maybe fifty or so over the
years and they've all done their thing well and I'm really happy they did.
They know what's up... this part could run on forever, so I'll just stop.
----------------[ Pearls Of Wisdom
Procrastination is the denial of death.
Lift with your legs, not your back.
----[ EOF